Movie Review: Beasts of No Nation


I watched Beasts of No Nation yesterday and today, on the treadmill. Here’s my quick review.

Title: Beasts of No Nation
Director: Cary Fukunaga
Genre: Drama

Why I Watched It:
Netflix, which released this as its first original feature-length film, recommended it to me.

Interesting Fact:
Cary Fukunaga was the director of the first season of True Detective.

This is an excellent movie, action-packed, with great characters, and an important political message that does not get in the way of a great experience. Highly recommended.

Best Thing About It:
Abraham Attah as Agu. Oh, and Stringer Bell.

Worst Thing About It:
This is a fictional story, but this sort of thing happens for too often to far too many children.

Rating: ★★★★

Rotten Tomatoes

Movie Review: Ex_Machina


This morning, while on the treadmill, I watched Ex_Machina. Here’s my quick review.

Title: Ex Machina
Director: Alex Garland
Genre: Sci-Fi

Why I Watched It:
It’s science fiction.  I love science fiction.

Interesting Fact:
It has similar plot elements to the (original) Star Trek Episode “Requiem for Methuselah.”

I wasn’t sure about this movie based on the reviews I read, but this is an excellent movie. I loved everything about it.  It’s great, topical science fiction, with a great story and some fine acting.

Best Thing About It:
Lots, but I’ll pick the actress that played Kyoto.

Worst Thing About It:
I can’t think of anything bad about it.

Rating: ★★★★★

Rotten Tomatos

Movie Review: Mad Max: Fury Road


I recently watched Mad Max: Fury Road on the treadmill.  Here’s my quick review.

Title: Mad Max: Fury Road
Director: George Miller
Genre: Sci-Fi

Why I Watched It:
I love post-apocalyptic science fiction, and the original Mad Max was pretty good.

Interesting Fact:
The filmmakers paid a lot of attention to the tools and weapons used by the actors.  With one giant exception, I thought the repurposing was nicely done.

I had really high hopes after reading some great reviews (it’s 98% fresh on Rotten Tomatoes, for crying out loud), but this is the rare movie that has over-the-top action scenes and is still sort of boring.  For much of it, I felt like I was watching someone play a video game.  The last 30 minutes are better.

Best Thing About It:
Little bits of realism (art, repurposing whatever’s at hand) mixed in with the madness.

Worst Thing About It:
The guitar and guitarist standing on front of that car.

Rating: ★★

Rotten Tomatoes

Movie Review: Insidious Chapter 3


Delaney and I went to the movies last night, after I picked her up from Longhorns Swim Camp.

Title: Insidious Chapter 3

Director: Leigh Whannell

Genre: Horror

Interesting Fact: The power went out in the movie theater during the scary séance near the end. It was pretty creepy.

Review: Horror is my favorite genre, so I’m reasonably easy to please. This is a good and workmanlike horror film. Nothing more, but nothing less

Best Part: The window scene. I just about jumped out of my skin.

My Rating: ★★★

Delaney’s Take: “Freaky.”

Rotten Tomatoes

Lunar Eclipse & B-Movie Goodness

It was way too cloudy last night for us to see much of the lunar eclipse.  We could catch only glimpses once in a while as the heavy clouds passed overhead.

Fortunately, William Castleman, a professor at the University of Florida and photographer, put together an amazing time lapse video so we can see what we missed.

When I see or read about lunar eclipses, I am reminded of one of my favorite B-horror movies, Messiah of Evil.

It’s a creepy film about a blood red moon, vampire-zombies and, sort of, the Donner Party.  It was made by the same people who later made Howard the Duck and who wrote the screenplay for American Graffiti.  That, friends, is range.

I bought a VHS of Messiah of Evil on eBay back in the day, but I never got it converted to digital format.  That’s not a problem, as the film can be seen, in its entirety, on YouTube.

Two Sentence Movie Reviews: Halloween Edition

Three really good films.  5-point scale.  Links to Netflix.


Kill, Baby, Kill (4): This 1966 Mario Bava gem is a creepy, semi-gothic ghost story, that proves Italians did horror as well as westerns.  It made me an instant Fabienne Dali fan.

Black Sunday (4): Another excellent Bava film (1960), with the great Barbara Steele in a double role as a witch and her look-alike descendant.  One of my favorite vintage horror films, with perhaps the most interesting commentary track I’ve ever watched.

Drag Me to Hell (4; unrated version): A new to DVD, supernatural scare-fest that made me jump a lot, even though it doesn’t break any new ground.  It’s the scariest movie I’ve seen since The Strangers, and you’ll never look at goats the same way again.

Tag: movie review

This Film Will Break Your Heart

And you will be forever grateful for having witnessed such a pure expression of love and strength.

dearzLet me get this out of the way.  One, I don’t believe I have ever been as emotionally affected by any other film or movie.  Two, this is absolutely one of the best documentaries I have ever seen.  It is horribly, horribly sad, but in the midst of all that horror, you’ll find that the goodness of the people before the camera, with one giant exception, will stay with you long after you’ve repressed the wickedness of the one.

The film I’m talking about is Dear Zachary (2008).  Netflix (it can be streamed); Amazon (video on demand accessible); iTunes.

On November 5, 2001, Dr. Andrew Bagby was murdered in a parking lot in western Pennsylvania.  The prime suspect, his ex-girlfriend Dr. Shirley Turner, promptly fled the United States for St. John’s, Canada, where she announced that she was pregnant with Andrew’s child. She named the little boy Zachary.

Filmmaker Kurt Kuenne, Andrew’s oldest friend, began making a film for little Zachary as a way for him to get to know the father he’d never meet. But when Shirley Turner was released on bail in Canada and was given custody of Zachary while awaiting extradition to the United States, the film’s focus shifts to Zachary’s inspirational (to put it mildly) grandparents, David & Kathleen Bagby, and their desperate efforts to win custody of the boy from the woman they knew had murdered their son.

There’s more.  A lot more.  But go watch it.  Keep a towel handy.

It’s not only the story.  This is an extremely well-made film.  The editing, in particular, is excellent.

But at the end of the day, the story is about people.  The filmmaker, who is only rarely seen, narrates the same heartfelt way he filmed and edited.  The friends.  So many friends.  For sure, the grandparents.  Andrew Bagby himself, in home videos.

Here’s the trailer. . .

which gives the impression that it’s something of a “true crime” film.  But it’s not.  It’s a lot more than that.