AOL Radio is Good

I hadn’t logged onto AOL in about 1000 years, but now that I’ve been sitting by my computer for about 60 straight hours waiting for Mike to answer my question, I’m pretty much down to the dregs of my internet destinations.

aolradioSo, I fired up AOL tonight while I waited for Mike to get finished drawing impossible sledding courses for Dave Winer (that is a cool game, by the way- especially when you realize that guy really is Dave).

I wandered over to AOL Radio and rooted around a bit.  AOL has some XM channels, which is redundant for me- since my car, my computer and my DirecTV already have it (I wish I could get Sirius free somewhere so I could listen to Channel 14- Classic Vinyl).

But I was surprised to find some stations on AOL Radio that I really liked.  Under the Rock channels there is a great psychedelic rock channel (Spirit’s New Dope in Town is playing right now), a southern rock channel, one with only rock covers, a Rolling Stones channel, and a one-hit wonders channel that is hit and miss, but worth a listen.

Under the Alternative channels there a pretty good 80s alternative channel.

Under Country, there is a good alternative country channel and an outlaw country channel that I liked.

I heard a few ads, but they seemed short and well spaced.

I don’t know if I’ll become a regular listener or not, but I might.  AOL Radio is definitely something to like about AOL at a time when AOL probably needs a little love.

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RanchoCast – September 22, 2006 Edition

No particular theme- just great music.

I play some great, hard to find songs by Guadalcanal Diary, Love Tractor, Country Joe McDonald, Dr. Hook & the Medicine Show and more. The rare vinyl segment consists of a great Stoney Edwards number and one by Leon Russell I bet you’ve never heard.

If you enjoy the RanchoCast, a great mix of classic rock, alt. country, rare vinyl, blues and tech talk, please tell your friends about it.

My 10 Favorite Live Albums

I was talking with some friends about music today and we got on the topic of live records.

Here are my favorite live albums (at least as I listed them today), in order.

1. Allman Brothers – At Fillmore East
2. Grateful Dead – Europe ’72
3. Peter Frampton – Frampton Comes Alive
4. Bob Seger – Live Bullet
5. Lynyrd Skynyrd – One More From the Road
6. Emmylou Harris – At the Ryman
7. Little Feat – Waiting for Columbus
8. Mother’s Finest – Live
9. Talking Heads – Stop Making Sense
10. James Brown – Live at the Apollo

So what are your favorite live albums?

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How to Convert LPs to MP3s

NOTE: The original post had a bunch of helpful photos.  But the hosting service died, and the photos with it.

I’ve been writing some about my recent project- converting some old, hard to find LPs into MP3 format, so I can put them on my music server and CD-Rs to listen to in the car.

Here’s how I do it.

First the equipment. Other than a computer, you need a turntable. I use the Ion USB turntable, but any turntable that you can hook up to your computer will work. I haven’t tried them, but here’s a device that allows you to connect a traditional turntable to your computer’s line-in jack and here’s one that works via USB.

You’ll also need some recording software. I use Audacity, which is free, for both my LP to MP3 conversions and for doing my podcasts.

First, hook up your turntable to your computer. This is an easy process with the Ion turntable. You just plug in the USB cable and, at least in Windows XP, the computer does the rest. The turntable comes with drivers on a CD if you need them.

Then take out the LP, place it on the turntable, blow it clean with canned air, and wipe it gently with a soft, lint-free towel. The quality of the LP is the biggest factor in how the converted MP3 will sound. If you have an old LP, expect some static and maybe a skip or two- just tell your friends that it adds to the vinyl experience.

Then open Audacity. Under Edit/Preferences, be sure you do 3 things (see Figure 1 below): select the USB turntable as the recording source (on my computer it shows up as ” USB Audio Codec,” set the channels as “2 Stereo,” and select software playthrough so you can hear the record while it’s being recorded. This will allow you to start over if the sound is especially bad.

Then press the Record button in the main Audacity window (no need to hurry- you can trim the beginning of each song after you record the LP), and then place the needle on the LP and record that side. After you’re done with Side A, trim the excess part at the beginning of the first song by selecting it with your curser (see Figure 2 below) and either selecting Edit/Cut or by simply hitting the Delete key on your keyboard.

Then do the same thing for Side B of the LP.

When you finish recording Side B, trim the excess part at the beginning of Side B, like you did above for Side A. Then align the beginning of Side B with the end of Side A by placing your cursor at the correct location and selecting Project/Align Tracks/Align with Cursor (see Figure 3 below). In Figure 3, Side A in on the top and Side B is on the bottom. Side B is longer than Side A. In this example, I have placed the cursor at the location in the Side B track that corresponds to the end of Side A. Selecting Project/Align Tracks/Align with Cursor will cause Side A and Side B to line up.

Place the cursor where you want Side B to begin and select Project/Align Tracks/Align with Cursor

Then make the entire LP viewable on your screen by clicking on the “Fit project in window” icon.

Then delete the extra silence between each track and place a label at the beginning of each track. The label is the name of the song. Sometimes it takes a little time to properly identify the beginning of each track- I keep the album cover handy so I can refer to the song lengths that are almost always printed thereon. After selecting the extra silence between each track and deleting it using the Delete key, you can immediately add a label by clicking the label icon.

Once you have everything labeled, you need to do two things. First, normalize the tracks by selecting Effect/Normalize (see Figure 6 below). Check both “Remove any DC offset” and “Normalize maximum amplitude to -3dB.” and click “OK.” Second, put your computer volume on a typical music listening level and play parts of a few songs see if the recording is loud enough. Almost all the time, they aren’t. If not, slide the slider at the beginning of each file (remember there are 2- one for Side A and one for Side B) to increase the loudness. Generally +3 dB or +6dB will do the trick.

WARNING: I don’t know if this is a problem specific to my system or not, but NEVER try to use the Backspace key when typing the song name labels. Audacity crashes every time I do that on any label other than the first one. If you need to fix a typo, place the cursor before the letters you want to delete and use the Delete key. It is a very good idea to save your project after every step.

Then select File/Export Multiple to split the recording into individual song files. You need to select the export format, and the location for the files. I use a particular folder on my music server (called “LP to MP3”), so I can easily import the finished MP3s into my music library. I simply tell my media player to search that folder, and it finds the new song files automatically. Then I edit the tag info and add album cover art (which you can almost always find either via a Google image search, at AllMusic.Com, at Amazon, or via an eBay search).

That’s it. The first couple of times, it takes a little time. But once you’ve done it a few times, it goes really fast.

It’s a great way to hear some good music that isn’t available on CD or iTunes.

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The Demise of Radio

In the New York times article about the plight of traditional radio, Richard Siklos sums up the problem in one sentence, while talking about a particular commuter who has tuned out over the air stations:

Mr. Glassman, who is 51, said he turned a deaf ear to radio primarily because of the advertising and because he finds the playlists of his favorite stations too mainstream and limited.

It’s a two-headed monster that is killing traditional radio.  The first is the limited playlist that appeals to a very limited demographic.  Back in the day, narrowly crafted stations weren’t an option and so people found the station that was closest to their taste and stuck with it.  Now, thanks to satellite radio and online services, there are an infinite number of programming choices.  What used to be good enough simply isn’t any longer.

The other, of course, is advertising.  I’ve talked about it plenty- people’s lives are hectic and stressful enough these days.  They will no longer tolerate someone screaming in their ear about how some car dealer will not be undersold, etc.  People want radio, which is primarily a car-based experience, to be a relaxing influence- not just another run at their wallet.

It’s funny though.  I talked the other night about listening to WOWO at night on my little transistor radio when I was a kid.  I bet I logged hundreds of hours listening as I fell asleep.  I don’t remember the ads.  I’m sure they were there.  Maybe they have gotten more intrusive.  Maybe now that I am part of the targeted demographic, I have lost the ability to tune them out.  Maybe technology like XM and TIVO have spoiled me. I just know that I can’t remember hearing the ads I can no longer tolerate on WOWO when I was a kid.

And I know that for a few bucks a month, I don’t have to tolerate them.  That, together with portable music players and CD-Rs full of MP3s, is what will eventually spell the end of traditional radio.

Right now, the majority of radio listeners (230 million to 11 million) still suffer through traditional radio.  That tells us two things.

One, that there are other negative forces at work against traditional radio, such as the loss of greater numbers of younger listeners.  My hunch is that many of the people who listen to traditional radio are casual listeners- who have the radio on because it is the only option in the car, but who are not committed listeners.  I also expect more and more people are gravitating towards talk and sports radio, which is generally local by defintion and probably less subject to listener erosion than music radio.

Two, what is a bad situation now for traditional radio is only going to get worse and more and more people gravitate to other music sources.

HD Radio will stem the bleeding, but it won’t stop the migration to ad-free pastures.  Radio stations can go online, but that doesn’t help the narrow playlist problem.

If there’s a way for traditional radio to regain momentum, I certainly can’t see it.

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RanchoCast – September 15, 2006 Edition

The All-Vinyl Edition

I’ve been converting some old, hard to find LPs to digital format lately, and now you get to hear the fruits of my efforts. All vinyl. All great songs. Most of which you’ve never heard.

I played a cover of Sixteen Tons that will blow you away, two gems by one of the most under appreciated psychedelic rock bands of all time, a classic by Bobby Bare, a song I used to hear all the time on WOWO back when it was a music station, a song by the greatest guitar player you’ve never heard of, and much more.

Tech talk covered the Web 2.0 myth of infinite advertising and how to convert LPs to MP3s.

Good stuff, so check it out.

Music Matters

Great post by Richard Querin today about music- both management and songs. He talks about the various programs he has used to organize and play his digital music.  Richard is in a deep Linux phase, so he uses MOC.  Here’s my story.

Unlike Richard, I made a concerted effort to move my music onto my computer.  Back in the nineties I undertook to rip all of my CDs.  The first time, when hard drives actually cost real money, I just put the best songs in my digital library.  Later, I went back and put all of the songs in there.  It took about 3 forevers.  I’m not sure exactly how many CDs I have, but it’s in the thousands.  Once I got the old CDs ripped, it became pretty easy to rip the new ones as I bought them.

I have never shared my music files and I have never bought music with DRM.

I have, however, become my parents, as my musical era of interest generally ended shortly after I finished graduate school.  Other than alternative country, some Americana and a little newish blues, I don’t buy many records recorded after 1987.

My application of choice for music management and listening is J. River’s Media Center.  It handles large libraries well and has a lot of good features.  I have never understood why it didn’t generate more buzz among music fans.

One of the great pleasures of having a digital music server is to put the player on shuffle and hear some songs you forgot about.  Sometimes ones that really move you.  Richard gave a list of songs he’s come across like that.

Here are some off the beaten path songs on my server that remind me fondly of days gone by, in no particular order.

Les Dudek – I Remember You
LeRoi Brothers – Pretty Little Lights of Town
Raging Fire – A Family Thing
Al Green – You Ought to Be with Me
Atlanta Rhythm Section – Champaign Jam
Bob Seger – Get Out of Denver
Stephen Stills – Change Partners
Paul Davis – I Go Crazy
Fred Knoblock – Why Not Me
Ten Years After – I’ve Been There Too
Starbuck – Moonlight Feels Right
Starland Vocal Band – Boulder to Birmingham

Music and computers really compliment each other.  If I had to rummage through a bunch of CDs to find the record I wanted to hear, I’d rarely listen to music.

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A Musical Mystery Solved

Until today, I had two great musical mysteries.  Now I have one.

I remember back in the 60’s and 70’s there were these songs on the radio in which someone pretended to interview people and the answers were clips from popular songs.  For years and years, I have wondered who did those songs.  I did web searches.  I rooted around AllMusic.Com.  All to no avail.

And then today.  On the way home from work, I was surfing around XM.  I happened across the 60’s channel and lo and behold there it was- one of those songs.  XM displayed the artist as Dickie Goodman.  I came home, did a little research and found a Wikipedia entry, an AllMusic.Com entry and even a CD for sale.

Here’s a clip from one of the songs I remember, via Amazon.

The remaining musical mystery may be even tougher to solve.  In Nashville in the mid-eighties I used to hear this song on WRVU, which was either called or had as its chorus the words “I wish I’d killed John Wayne.”  It was a great song, probably by a local band.  I have racked my brain trying to remember who did that song.

But I can’t remember.

Maybe Wally Bangs knows.

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88 Lines About 44 Bloggers

It’s a slow weekend in the blogosphere, so I thought I’d do another mock opera. With apologies to the Nails, here we go.

Hugh draws on business cards
And on labels for his wine
Nick writes like Hemingway
But still gets crapped on all the time
Jeneane writes real good too
Even when the F-bombs land
She dropped one on her friend Stowe
Just because he is a man

Thomas speaks in thousand words
Names his photos after songs
Boing Boing is the king of blogs
How can 2 million be wrong
Randy finds some funny stuff
With links for us all to see
Jeff talks to God knows who
I just know it ain’t to me

Mike‘s a star in 2.0
He might help hawk your wares
But if all you have are ads to sell
Some will tell you to beware
Dave is looking for a fight
Though he calls himself Gandhi
Rogers thinks that’s ludicrous
I think I’d have to agree

Kate is the OmegaMom
To OmegaDotter and OmegaDad
Phil ain’t blogging much these days
Even less than Pantsland Brad
Fred lives up in the Big Apple
Where the Hangdogs used to play
Kevin features blogging songs
All hail to USA Today

One Tom drives an ambulance
Where werewolves run amuck
The other finds good stories
For you to read when you get up
Shelley she won’t take no crap
Knocks ’em out with just one punch
Dennis tried to spar with her
Until she up and ate his lunch

Scoble brought blogging to the masses
If by that you mean a few
Now he’s doing for podcasting
What Adam Curry couldn’t do
Amy teaches conversation
I really like her style
Steve used to link to me
But it’s been a good long while

Doc‘s the voice of reason
In an often foolish place
Jason wants to save AOL
And get filthy rich along the way
JK loves his Origami
He does what he can do
Gizmodo says they suck hard
The Inquirer thinks so too

Henry used to hang with Jim
Now he lives outside
Jeremy used to walk around
Now he says he’d rather fly
Hogg‘s a teacher and a coach
Taking a time out
Dave is an amazing dude
Of that there is no doubt

Dave he watches our linkcounts
As they bounce up and down
Gabe‘s the new New York Times
For the technoblogging crowd
Mathew lives in Canada
Where it’s freezing all the time
Dwight lives here in Texas
Where it’s always at least 109

Guy does lists and interviews
Of the latest blogging star
But ’til you get on Valleywag
No one knows who the hell you are
John has an ugly blog
That cries out for full feeds
Shel doesn’t dig that crazy Digg
And that makes perfect sense to me

Susan might not like this post
Because of the Nails song
But I’m just having a little fun
So why not sing along
Or go a find a brand new blog
For all the world to see
Or if that sounds like too much work
Just link and link like mad to me

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