My Favorite Records:Dillard & Clark – Both Records

This is the another installment in my series of favorite records.

We have our first double entry. Of all the artists on all the records I have ever heard, none are any better than Dillard & Clark.

Former Byrd Gene Clark and bluegrass guru Doug Dillard formed one of the first country rock groups when they began recording as Dillard and Clark in the late 1960’s.

Their first record, recorded in 1968, is The Fantastic Expedition of Dillard & Clark. It’s the best record either of them have done- and it’s a fine one. Perfect, country rock songwriting and playing. She Darked the Sun is one of the prettiest songs I’ve ever heard. Don’t Come a Rollin’ is a harp driven country romp without equal. Get It On Brother is bluegrass and gospel and a whole bowl full of goodness. There is not one song on this record that is not excellent. In fact, calling them excellent may be selling these songs short.

Their second record, titled Through the Morning, Through the Night, was released a year later in 1969. It’s slightly more of a traditional country/bluegrass record. But it has some great songs, including fabulous covers of No Longer a Sweetheart of Mine, Four Walls and the Beatles’ Don’t Let Me Down.

But what gets this record on this list are two of my favorite songs ever- and I mean both favorite and ever. The title track, a Gene Clark original, is a haunting, alternative country number. And then there’s Polly, another Gene Clark original. You simply have to hear this song to understand how perfect it is. Haunting. Wistful. Tears. Simply beautiful.

No one, not even The Rolling Stones, has ever released a two better records in back to back years. Go buy these records. Play them for your loved ones, your children, your grandparents. No one should go through life without hearing these records

My Favorite Records:Derek and the Dominoes – Layla and Other Assorted Love Songs

This is the another installment in my series of favorite records.

After Eric Clapton toured with and later became a member of Delaney & Bonnie, he and some other former members of that band began touring as a new band and gathered in August of 1970, with Duane Allman sitting in, to make a record. The result was Layla and Other Assorted Love Songs. Many believe this is Clapton’s finest work, and I agree.

Everyone knows the title track, and it’s a great one. But to know this record only for that song is a mistake, because it contains several other masterpieces, including a blistering version of Have You Ever Loved a Woman and the wonderful Clapton penned Bell Bottom Blues.

Duane Allman’s unparalleled slide guitar sounds as great on this record as any Allman Brothers record.

The under-appreciated force on this record, however, is keyboardist Bobby Whitlock. He co-wrote five of the best songs on the record (including Anyday, the second best song on the record, behind Layla) and wrote one of the best assorted love songs, Thorn Tree in the Garden.

This record is an obvious must-have for any music collection.

Here’s a little bonus full of awesome.

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In Praise of Phil Lee

A friend of mine asked me the other day to name my favorite country song.

At the time I counldn’t really come up with just one. But after thinking about it a while, I know now.

Phil Lee is a guy from the Bull City who has spent time in the Big Apple and behind the wheel of a big rig. He drove a truck for Neil Young at one time and was in The Flying Burrito Brothers for a while.

He has also released two of the best alternative country records I have ever heard, one of which contains the best country song I have ever heard. I’m the Why She’s Gone has everything a song can have: great melody; great arrangement; vocals that sound more classic Billy Joe Shaver than Billy Joe Shaver does; a great title; a great story; and if you listen carefully to the lyrics, an interesting twist.

Next time someone asks me, I’ll know.

If you like music, go buy this record.

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DRM Gone Wild on New Coldplay CD

BoingBoing reports that Coldplay’s new CD comes chock full of DRM restrictions that prevent the CD from being burned to a hard drive and “might” prevent it from being played in DVD players, car stereos, portable players, game players or computers.

The questions are:

1) Is this something done with the band’s knowledge and consent or is this just more RIAA madness?

2) What will the band’s reaction be now that the story is all over the net?

Sony learned some hard lessons lately about DRM and the unwillingness of customers to accept crippled product. Looks like DRM 201 is about to begin.

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Pandora – Discover Music You Like

pandora

I saw a link this morning for Pandora over at Ken Leebow’s blog. Ken had great things to say about it so I checked it out. Pandora is a web service that takes the name of a band or song you like and plays similar songs you might like. I’ve tried this before with other music services and have never been all that impressed. But this time it was different.

I used Whiskeytown as my starting point and Pandora preceeded to play a bunch of songs, most of which I had never heard, that were very good. I heard songs I liked by Grant Lee Buffalo, Peter Case and even a couple I hadn’t heard by Whiskeytown.

After a few songs you have to register for either a free, ad supported, account or a paid, ad free, one. I’m going to check out the free account and if I keep hearing good new music, I may upgrade to the ad free version.

Pandora is part of The Music Genome Project, which maps songs by melody, harmony, rhythm, instrumentation, orchestration, arrangement, lyrics, etc. to create groups of similar songs. Based on my listen today, it seems to work really well.

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Lining Up in Front of the RIAA

riaaThe mainstream media is finally being forced to cover the misdeeds of its cousins’ henchman, the priority-challenged RIAA thanks to some recent customer bashing by the RIAA and all the shotgun shells it’s using trying in vain to stuff the cat back into the bag.

P2PNet has two very interesting things today.

First, it has an interview with the lawyer for lead target and allegedly innocent mom, Patti Santangelo, who lays out the mostly ex-parte (read without the knowledge or involvement of the target) court filings made by the RIAA to uncover the identities of its latest batch of moms, grandmoms and dead people. After obtaining an order from the court, the RIAA sends notice to the internet service providers of said targets, asking for their names and addresses. Then the RIAA sues the targets by name in the jurisdiction where they live. And for a few thousand dollars and a promise to keep the bag firmly tied (even though the cat is long gone), the RIAA will settle the case and move on to another batch of targets.

Second, it has a transcript from an American Morning with Miles O’Brien show on CNN where Ms. Santangelo appeared. The conversation with her is interesting and all, but things get really interesting when Cary Sherman, the President of the RIAA joins.

Here’s a small portion of that transcript, with my thoughts included in bold font:

O’BRIEN: It might get that message out that it’s illegal, but there’s also another message which comes out, which is a question of fairness. Is it fair to go after a divorced mother of five who doesn’t have a lot of financial means, who really didn’t know anything about this and thought she was doing all she could to protect her kids online? [[[The RIAA doesn’t care a whit about fairness. In fact, they probably figure if they sue enough innocent people, they will create a nation of little RIAA narks that will squeal on anyone who even thinks about listening to a song they haven’t paid for at least once, and preferably twice.]]]

SHERMAN: And we understand that point. [[[Absolutely they do; that’s why they’re doing it.]]] And the reality is that an overwhelming number of people who have been sued tell us the same story, that they didn’t know what was going on, they didn’t know it was illegal, and so on and so forth. [[[Is it me, or is he calling her a liar on national TV? At a minimum he’s saying he doesn’t care about her sob story. Just give the RIAA some money- so what if it’s your grocery money.]]]

O’BRIEN: And so what do you say? You just tell them — say, tell it to the judge? Is that it? [[[No, he’s saying pay us a few thousand dollars to settle and avoid the judge.]]]

SHERMAN: We basically try to settle at a reasonable number, taking into account all the circumstances of the particular case. In this case, if Ms. Santangelo did not do this, then she should tell us who did, and we would modify the complaint accordingly. [[[Great, now he’s saying bring me your kids and I’ll sue them too.]]]

O’BRIEN: Oh, well that puts a parent in a tough position. You know that. Yes.

SHERMAN: Well, but parents have to assume…

O’BRIEN: Would you do that as a parent? [[[I really wish they had forced him to answer this question hypothetically, assuming that he, like Ms. Santangelo, didn’t have extra money laying around to give to the RIAA. I’d love to hear him answer that hypothetical. Just because he works for a misguided, anti-consumer organization doesn’t make him a bad parent. At least he would have had to deal with the dilemma directly and not sidestep it like he did.]]]

SHERMAN: Parents have to assume some responsibility for their kids. I would probably do what you said you would do, which would be settle the case and let that be a lesson for the kid. We had one grandfather who had those kids work off the amount that he paid to settle as a way of teaching them a lesson and making this a family event. [[[So now the RIAA is providing family events- sort of like the Disney Channel.]]]

O’BRIEN: All right. Cary Sherman, thanks very much.

Look, I am not all that much of a defender of people who illegally download music (recall my take on the “I forgot to delete them” lady). And I know this Sherman cat has a really hard job.

But the indisputable fact is that the RIAA is trying to make the digital river flow back up the hill, and that’s simply not going to happen. Why not try to recreate the now broken business model, paint yourself as a facilitator of positive change and try to get on the high road, both morally and, more importantly, public relations wise? Isn’t that a better strategy than indiscriminantly suing a bunch of moms and grandmoms and dead people and whatnot?

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Possible Sony/BMG Settlement

BetaNews reports today that there is a possible settlement in the Sony/BMG spyware case.

According to the report, Sony will agree to:

(a) continue to replace the spyware-affected CDs with clean CDs

(b) allow the affected customer to choose to receive either (i) $7.50 and one free album from a list of 200, or (ii) no cash payment and three free albums from the list.

(c) stop manufacturing CDs with a specific type of DRM program until 2008.

To be eligible, customers must provide evidence that they bought a Sony/BMG CD containing the DRM spyware and that the hidden DRM program was uninstalled from the computer or updated with the software fix released after the initial outcry.

While this seems like a pretty fair compromise, there are a couple of troubling parts.

First of all, the settlement does not prevent Sony from using DRM on its CDs. It only prohibits the use of hidden DRM. Sony is allowed to use DRM prior to 2008 as long as no programs are installed on the customer’s computer without the customer’s consent and only certain data is collected by the DRM program.

Additionally, we need to see the list of 200 albums. If it’s a decent list, then this sounds like a fair solution. If it’s not, it doesn’t.

While this is certainly a win in the war against DRM, this is really about Sony’s bad decision, initally bad management of the reaction and ultimate admission of fault and agreement to fix it. The greater war against DRM will continue to be waged.

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My Favorite Records:The Del Fuegos – Boston, Mass.

This is the another installment in my series of favorite records.

I remember the first time I heard a Del Fuegos song. It was Backseat Nothing off of their first record. I went out that same day and bought the cassette tape. That record, called The Longest Day, could easily be on this list. But since the first one is virtually impossible to find, I’m going to pick their equally excellent second record.

df-728536Boston, Mass., their second record, is unfortunately also out of print, but you can find a CD for sale now and then on eBay.

From the first verse of Don’t Run Wild, you can tell this is a more produced record than their first, with a little sharper edge to it. My favorite songs on the record are the very wistful I Still Want You and the rootsy Coupe DeVille, but every song on this record is excellent and still sounds fresh after 20 years.

The primary songwriter and singer, Dan Zanes, still makes music. He has released some of the best family records I’ve ever heard. I highly recommend them for both kids and adults.

The Del Fuegos didn’t become the major rock stars I thought they would after their first two records, but they made some fine music. If you can find either of their first two records in a format you can play, buy it. You won’t be sorry.

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